A seminal backstage musical as stand-in chorus girl Ruby Keeler plays the most provocative of Busby Berkeley numbers such as 'Shuffle Off Buffalo' and 'Young and Healthy' and Bebe Daniels lolls on piano trilling 'You're Getting to Be a Habit with Me'.
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A HARD DAY'S NIGHT (1964)
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The first Beatle movie and (some would say) the best. Zappy, zany, snappy and with the cuddly mop tops looning about in a lovable manner.
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A HOLE IN THE HEAD (1959)
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Meet Tony (Sinatra), a wannabe big shot who's constantly broke. While the carefree widower may not have money, he is rich in one respect; he's got the unconditional love of his adoring young son Ally (Eddie Hodges).
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A STAR IS BORN (1954)
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One of Hollywood's saddest heartbreakers with the emotional Garland, fast approaching her final crack-up, superb as the fast rising young star leaving behind her true love, Mason in one of his greatest performances, on the slippery road to failure. The DVD version includes important excised footage, many scenes admirably filling gaps in the original, rediscovered in archives.
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AN AMERICAN IN PARIS (1951)
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The classic musical romance about an ex-GI in Paris to do a spot of painting and falling in love. Containing the Gershwin numbers "I Got Rhythm", "Embraceable You", "Stairway To Paradise" and "Swonderful", and ending with the famous "American In Paris" ballet scene. Won Best Picture at 1950 Academy Awards.
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ANNIE GET YOUR GUN (1950)
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Betty Hutton (as Annie Oakley) and Howard Keel (as Frank Butler) star in this sharpshootin' funfest based on the Broadway smash boasting Irving Berlin's beloved score, including Doin' What Comes Natur'lly, I Got the Sun in the Morning and the anthemic There's No Business like Show Business. Directed by George Sidney this lavish, spirited production showcases songs and performances with bull's-eye precision, earning an Oscar for adaptation scoring. The story is brawling boy-meets-girl-meets-bucks
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BRIGADOON (1954)
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Two New Yorkers holidaying in the Scottish Highlands stumble across an enchanted village that exists in this world for only one day every one hundred years. In the short time available to them love blossoms for one of the Americans and a local lass, but how can the couple hope to continue when only a few hours remain? An adaptation of the 1947 Broadway musical, Brigadoon is magical Technicolor splendour, a classic Minnelli musical and an explicit statement about (and partial criticism of) the no
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CALAMITY JANE (1953)
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OhtheDeadwoodStageiscomin'upoverthehill (fortissimo). Doris, bless her, belts her heart out as the pistol-packin' tomboy who has to clean up her act when she falls for Wild Bill Hickock. Much spunkier than 'Annie Get Your Gun' and with better tunes, most notably 'Secret Love'. A fine musical comedy.
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CAMELOT (1967)
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The story of the marriage of England's King Arthur to Guinevere is played out amid the pagentry of Camelot. An all-star cast in this frothy, musical with Vanessa Redgrave putting on a stormtrooping performance as the monarch's lost love, Guinevere. At three hours of full-on, enthusiastically stagey tonsil-tickling, you need to be into musicals in a big, big way to enjoy this.
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CAREFREE (1938)
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One of the last of the Fred Astaire Ginger Rogers song and dance extravaganzas and unusual if only because Ginger falls for Fred rather than the other way around. Irving Berlin is still the man behind the lyrics, and the chemistry between the two stars remains alive and kicking. Musical numbers include Since They Turned 'Loch Lomond' into Swing, I Used To Be Color Blind, The Night is Filled With Music, The Yam and Change Partners.
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