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CertificationU Our Rating

Adapted from Zola's novel, this powerful tale concerns a triangle of love and murder in which a train driver becomes passionately involved with a femme fatale. With its images of trains and railways as symbols of human destiny this is a visually arresting film; Gallic and tragic. find out more...

CertificationPG Our Rating

Visconti's stunning feature debut transposes The Postman Always Rings Twice to the endless, empty lowlands of the Po Delta. There, an itinerant labourer (Girotti) stumbles into a tatty roadside trattoria and an emotional quagmire. Seduced by Calamai, he disposes of her fat, doltish husband (De Landa), and the familiar Cain litany - lust, greed, murder, recrimination - begins. 'Ossessione' is often described as the harbinger of neo-realism, but the pictorial beauty is pure Visconti, while the ble find out more...

CertificationPG Our Rating

After Renoir's reluctant addition of a couple of titles to satisfy the producers desire to expand to feature length, this masterpiece was finally released in 1946. On an idyllic country picnic, a young girl briefly leaves her family and fiance and succumbs to an all-too-brief romance. The careful reconstruction of period (around 1860) is enhanced by a typically touching generosity towards the characters and an aching, poignant sense of love lost, but never forgotten. And, as always in Renoir, find out more...