Morgan's profession is accountancy but his job, along with his life in general, is going nowhere. In an effort to spice up his drab existence Morgan becomes a corporate spy, a role he at first relishes, but when a beautiful stranger enters his world and implies that all is not as it seems Morgan finds himself drawn into an alternate environment where the consequences for your actions, whether you're aware of them or not, could be lethal. find out more...

Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

Set in Johannesburg (more than a welcome change to the usual formulaic Hollywood paradigm whereby LA or New York are not only the backdrop for disaster but act too as the centre-point of planet Earth), An ominous mothership hovers above Johannesburg containing an alien race of insectoid refugees. Derogatively referred to as 'Prawns' by humans they are cordoned off in an apartheid-esque fashion and forced to live a desolate and slum-like existence in the titular District 9. While forcibly relocat find out more...

Taking its cue from Chronicle (2012), Project Almanac is part of the "found footage" sci-fi phenomenon sweeping contemporary teen cinema. A group of friends discover time travel and use it to have a lot of fun; rewriting their entry into the high school popularity charts, partying without wasting time, acing tests and getting even with bullies. But, as science would have it, every action has its equal and opposite reaction. Soon the 'jumps' become a desperate attempt to rewrite the rewrite. G find out more...

 

Morgan Spurlock, the man responsible for the 2004 documentary 'Super Size Me', here turns his satirical, but increasingly irony free, eye on another of society's most ubiquitous evils: advertising, and specifically the phenomenon o find out more...