From the boys that brought us South Park and Team America comes a riotous musical horror that tells the story of Alferd Packer, a prospector who leads a group of fellow 'diggers' into the Rocky Mountains in search of gold only to be accused of murder and cannibalism when the bodies of his companions are discovered partially eaten and mutilated. A tale of comradeship, evil 'trappers' ('Rip their fur, cut their eyes out with my knife. Yo-ho'), Native Indians with a distinctly Japanese flavour and find out more...

Second in the famous series of spaghetti westerns and quite brilliant it is too. Those long lingering shots, the clink of spurs, the scratching sound of hands dragged across unshaven chins and above all THAT music... What more could you ask for in a western? find out more...

'High Noon' works on many levels; the second-to-none screenplay, the subtle direction, the clock, Gary Cooper's Oscar-winning performance... It's about a small town sheriff who must basically stand alone to defend the people from a wild gang of outlaws, who have just been let out of jail and will arrive on the noon train. Although he does not have to, and the town does not deserve saving, Cooper decides that he will do the job that he was hired to do. A classic amongst Westerns, it strips the ge find out more...

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Way ahead of its time, this is a Western with a difference! There's gun-totting women (including the brilliant Joan Crawford) fighting over the men that they love and leading the men into action. Then there's the anaemic looking Sterling Hayden as the male lead in this classic that tramples stereotypes with a memorable result! The 'Lie to me...' speech is guaranteed to give you chills. find out more...

Suberb performances both from the leads and the assembled extras on yet another Altman masterpiece. Here he subverts the excepted modes of the Western genre with Beatty as the non-heroic McCabe and Christie as third-rate Madam. Life in the West probably was like this, but never is in the films. find out more...

Frontiersman Vern Haskell (Arthur Kennedy) wanders the West obsessed with finding the culprits responsible for murdering his fiancee. His quest leads him to Chuck-a-Luck - the film's original title - a combination horse ranch and criminal hideout overseen by saloon chanteuse Altar Keane (Marlene Dietrich). Posing as an escaped criminal Haskell falls in with murderous gunslinger Frenchy Fairmont (Mel Ferrer) and gradually becomes indistinguishable from the men he is hunting. find out more...

"Stingray Sam is not a hero / But he does do the things that folks don't do that need to be done / He's got a bravery inside / That will not let him run away..." So goes the theme song to McAbee's bewitching second feature. The film plays like a homage to a 1950's that didn't exist, a riff on all the genres made famous by that decade. Consisting of six 'episodes' (each one narrated by a jubilant David Hyde Pierce) the film follows the eponymous Stingray Sam and his sidekick The Quasar Kid as the find out more...

A frontier opportunist stumbles into a small gold-rush town and decides to earn a little extra pocket money by accepting a temporary assignment as their sheriff. Happily applying himself to his new position he manages to turn the town derelict into his deputy, outsmart the dreaded Danby clan and fend off the lusty advances of the mayor's daughter - all without breaking a sweat or dirtying his shiny black boots! 'Support Your Local Sheriff' is a deliciously witty western, which overturns and rein find out more...

What to say about The American Astronaut... It's a heady cocktail of DIY science-fiction, lo-fi musical, transatlantic surrealism and good old fashioned nice-guy comedy. The action revolves around Sam Curtis, a mercenary of the Han Solo school, and his increasingly colourful mission. It begins with the delivery of a cat to a small outer-belt asteroid saloon where he meets his former dance partner, and interplanetary fruit thief, the Blueberry Pirate. Peril comes in the form of nemesis Professor find out more...