Through the eyes of Stan, a sensitive dreamer who is growing detached and numb from the psychic toll of working at a slaughterhouse, we observe the black Los Angeles ghetto of Watts in the mid-1970s. Frustrated by money problems, Stan finds respite in moments of simple beauty: the warmth of a coffee cup against his cheek, slow dancing with his wife in the living room, holding his daughter. Killer of Sheep offers no solution to Stan's world, merely a presentation of his life and those around him;
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