When a friendly, successful suburban teacher and father (James Mason, in one of his most striking roles) is prescribed cortisone for a painful, possibly fatal, affliction he grows dangerously addicted to the experimental drug. His transition from loving father to homicidal despot is depicted on a scale more akin to operatic tragedy than melodrama and, on top of the inestimable pleasures of Mason's performance, a narrative that explores society's use of drugs provides an unexpectedly prophetic di find out more...

Set in the Sino-Japanese war, Yasuzo Masumura's black-and-white anti-war film tells of an army nurse who sexually services an amputee and falls in love with a drug-addicted surgeon. This can't be recommended to the squeamish, but neither can its nuanced eroticism nor its passionate, unpredictable moral focus, be easily shaken off. Comparable with Altman's MASH, it suggests a less comic treatment of the same theme, how to preserve one's humanity in impossible circumstances, but its ethics are con find out more...

It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...