After Renoir's reluctant addition of a couple of titles to satisfy the producers desire to expand to feature length, this masterpiece was finally released in 1946. On an idyllic country picnic, a young girl briefly leaves her family and fiance and succumbs to an all-too-brief romance. The careful reconstruction of period (around 1860) is enhanced by a typically touching generosity towards the characters and an aching, poignant sense of love lost, but never forgotten. And, as always in Renoir, find out more...
Set in Shanghai during the Chinese Revolution, the storyline explores the relationship between a missionary, Megan, and a Chinese warlord, General Yen. It's refreshing to see Capra tackling something more alien to him than the struggles of idealistic American men and he seems to have taken a healthy interest in a culture that at the time was still shrouded in mystery and secrecy. The style of the film is infused with the Orient, from its zen-like mise en scene to the director's inclusion of c find out more...
"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...
