Filmed during the Nazi occupation of Denmark, Carl Dreyer's Day of Wrath is a harrowing account of individual helplessness in the face of growing social repression and paranoia. Anna, the young second wife of a well-respected but much older pastor, falls in love with his son when he returns to their small 17th century village. Stepping outside the bounds of the village's harsh moral code has disastrous results: Anna faces the stake, accused of witchcraft. find out more...

Solomon Kane is a cursed man, a ruthless killer in search of redemption after he comprehends the hellish consequence of his actions. However, having escaped death once, a life of praying humbly in the confines of a monastery is not going to be sufficient to save his soul and a pacifist vow is non-sustainable when the Devil establishes a murderous coven in his vicinity.
With its roots in Dennis Wheatley's occult tradition this swashbuckling high budget British film attempts, with some succ find out more...

Excellent, highly accessible production of Arthur Miller's play. Set in the fanatically puritan town of Salem in 1692, Ryder is one of several unfortunate teenage girls are caught "doing the Devil's work", inducing a potent and dangerous cocktail of paranoia, hatred and mass hysteria - Miller's contemporary references to 1950s America are all to palpable. Superb. find out more...

Nathaniel Hawthorne's tale of a woman stigmatised by the repressive puritan morality of New World America is very loosely adapted for the screen. Demi Moore plays the victimised main character who incurs religious wrath for getting pregnant outside marriage. Colourful and dramatic. find out more...

Set against the background of the English Civil War, this tale of the violent persecution of alleged witches by the eponymous central character is a masterpiece of 60's British cinema. Excellent performances, (especially Vincent Price's), complement evocative use of scenery. One point of interest is the changes in film stock, which makes the film appear redder at the end than at the beginning, a deliberate ploy on behalf of the director who uses the deepening crimson to symbolise the story's find out more...