BEING FRANK: THE CHRIS SIEVEY STORY explores the extraordinary secret life of artist Chris Sievey, best known as his alter ego Frank Sidebottom, the maverick Northern comedian in a fake head. Frank Sidebottom, his greatest creation, became a star – a manic, insane, mercurial star burning brightly from within a papier mâché head – a star who obscures find out more...

The cocaine trade of the 70s and 80s had an indelible impact on Miami turning the once sleepy retirement community into one of the world's most glamorous and nefarious cities. In "Cocaine Cowboys" we hear from some of the dealers, killers et al about the effect Colombia's Medellin cartel's $20 billion business had on the city. In particular we hear about Griselda Blanco, the Godmother of the business, a vicious psychopath whose feats helped turn Miami into the murder capital of North America. find out more...

From the man who brought you Not Quite Hollywood: The Wild Untold Story of Ozploitation, comes a whistle-stop tour through the similarly wild, untold story of how two men from Israel changed the movie-producing business - for better and for worse.

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In a turbulent era of apartheid in South Africa, race riots in England and civil unrest in the Caribbean, the West Indian cricketers, led by the enigmatic Viv Richards, struck a wonderfully defiant blow at white prejudice and endeared themselves to the hearts of a generation; regardless of skin colour, nationality, culture, or indeed even a previous love of the ‘game’. Their gifts on the grounds, combined with a fearless spirit are a joy to behold in this excellent documentary. find out more...

In 1970, a young farmer named Michael Eavis opened his 150-acre farm to 1,500 people who paid one pound each to watch a handful of pop and folk stars perform all weekend long, and the Glastonbury Festival was born. Julien Temple has spent the past few years collecting footage from every single Glastonbury Festival, ranging from outtakes from the film Nicolas Roeg made about the 1971 event to amateur home videos collected from the attendees themselves. Interweaving images of impromptu art happeni find out more...

Grace Jones: Bloodlight and Bami takes the viewer on an intimate and electrifying journey that moves between four cinematic layers performance, family, artist and traveller to explore the fascinating world of this pop cultural phenomenon. Jones' bold aesthetic echoes throughout unique musical performances that include hit songs Slave to the Rhythm and Pull Up to the Bumper. Larger than life, wild, scary a find out more...

Filmed in 1986 at a Maryland concert arena parking lot before a heavy metal show, this is an unvarnished, fascinating and Spinal Tap..esque anthropological study of American metal heads in their mid-'80s glory. A shed load of extras make up for the feature's 25 minute running time (though the bit with one now middle aged participant's exhaustive explanation of his record collection comes close to a cure for insomnia). find out more...

Metal is a documentary that looks at what made Metal, how it grew and how it has transcended fashion, ridicule and ignorance. It will inform and entertain the uninitiated. If you know nothing about it by the time the credits roll, love it or loath it you'll understand how, why and what it does. For the hardcore Metal fans this will become a benchmark, it will reinforce and reaffirm their allegiance. Metal features interviews and archive from some of the most influential and respected musicians o find out more...

The first and only film to tackle the subject of Detroit Techno and the influence it has had on modern dance music. Featuring in-depth interviews with many of the world's most famous exponents of the art form, including Juan Atkins, Derrick May, Kevin Saunderson, Richie Hawtin, Jeff Mills, Carl Craig, Eddie Fowlkes, Anthony Shakir, Blake Baxter, Kenny Larkin, Stacey Pullen, Scan 7, John Acquaviva, Keith Tucker, Niko Marks, Delano Smith, Matthew Dear, The Electrifying Mojo and more. Featuring cla find out more...

In 1965 Yash Pal Suri left India for the UK and on his arrival in England he bought two Super-8 cameras, two projectors and two reel to reel recorders. One set of equipment he sent to his family in India, the other he kept for himself and for 40 years he used it to share his new life abroad with those back home - images of snow, miniskirted ladies dancing bare-legged, the first trip to an English supermarket - his taped thoughts and observations. Back in India Yash's relatives responded with the find out more...