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Classics
Certification15
Our Rating
The story of a director, devoid of inspiration and on the verge of a nervous breakdown, trying to satisfy the anticipation surrounding his next project. Surreal, serio-comic mildly autobiographical and widely acclaimed as one of the great films about movie-making. Fellini's masterpiece.
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CertificationPG
Our Rating
Godard's hugely influential debut went on to inspire a new wave of French cinema and this is the film which epitomised the iconoclasm of the early Nouvelle Vague. Belmondo is the hip gangster, modelled on Bogart, whose escapades, including shooting a cop, leave him and his girlfriend on the run from both the cops and his enemies. The insolent casual style and cool moods make this the ultimate film noir.
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Certification15
Our Rating
The first part of Wajda's triology of films, the hopeful one, is set in Warsaw 1942, deals with the setting up of a youth resistance group and sticks very much to the CP line of courage, honour and self-sacrifice. These three films rank amongst the greatest achievments of contempory European cinema and Zbigniew Cybulski's performance is rated as one of cinema's greatest.
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CertificationPG
Our Rating
Part 1 of Wajda's trilogy of wartime films, the hopeful one, is set in Wola, a working-class area of Warsaw in 1942, and deals with the graduation of a bunch of semi-delinquent street kids, through individual acts of defiance and courage, into a youth resistance group. The heroism is not simple, neither loyalties nor self-sacrifice are assured, but united they will be.
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CertificationPG
Our Rating
Godard's bleak sci-fi noir, with the stony-faced gumshoe Lemmy Caution turning inter-galactic agent to re-enact the legend of Orpheus and Eurydice in conquering Alpha 60, the strange automated city where such emotions as love and tenderness are banished. A brilliantly realised and stylish satire on the dehumanising nature of technology.
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CertificationPG
Our Rating
Wildly unusual costume tale of a Kabuki female impersonator who avenges his parents' suicides by courting (in female guise) their tormentors. His elaborate revenge is superbly choreographed by director Ichikawa, and the central performance of Hasegawa (in TWO roles!) is beyond remarkable.
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CertificationU
Our Rating
This is the middle story of Satyajit Ray's Bengali trilogy and, after Pather Panchali, we find Apu on the cusp of adulthood. The young lad moves with his family to Benares but with the death of his father, Apu's desire to continue his learning is affirmed and as his passion for knowledge grows so he and his mother find themselves drifting apart, especially as he wants to leave home and go to Calcutta to study. Aparajito is a beautifully drawn film and an immaculate observation of the characters
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Certification12
Our Rating
The last of Wajda's famous trilogy, the one that signifies despair, has Cybulski, the 'Polish James Dean', as a young fighter no longer killing Germans but instructed to assassinate a recently appointed communist official. His deepening love affair with a hotel barmaid has him starting to question the value of his struggle. Superb.
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CertificationU
Our Rating
Taking man's inhumanity to man as its central theme, 'Au Hasard Balthazar' traces the life of a donkey, christened Balthazar by a group of young children, from birth to death. Balthazar's story begins on a small farm in a rural district of France. Throughout his life he is owned by many of the locals, returning to some of them more than once, and is set various tasks, from drawing a carriage to performing in a circus, turning a grindstone to acting as a smuggler's means of transport. Some owners
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Certification15
Our Rating
A wonderfully serene and charming comedy, the third instalment of the saga of Antoine Doinel, in which he wanders into a job as a private investigator, and then falls hopelessly and unrealistically in love with a client's wife. Classically Truffaut, with a gentle, wandering narrative, fantastic cinematography (Paris the summer of 1968) and some very funny dialogue. A real corker.
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