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BAIT (2019)

Certification15 Our Rating

Modern-day Cornish fisherman Martin (Edward Rowe) is struggling to buy a boat while coping with family rivalry and the influx of London money, Airbnb and stag parties to his harbour village. The summer season brings simmering tensions between locals and newcomers to boiling point, with tragic consequences. Stunningly shot on a vintage 16mm camera using monochrome Kodak stock, Mark Jenkin's Bait is a timel find out more...


Certification12 Our Rating

The runaway success at last year's Goya Awards, Pablo Berger's Blancanieves takes the tale of Snow White and resets it in 1920s Andalucia, telling the tale of Carmen, the young daughter of a celebrated bullfighter, and her passage into adulthood and conflicts with her evil stepmother (a wondrously wicked Maribel Verdu). A beautifully-realized homage to the silent cinema, it will inevitably draw comparisons with The Artist, though its blend of youthful ebullience and Grimm-like find out more...

BLOW-UP (1966)

Certification15 Our Rating

A succesful photograper in swinging sixties London leads an aimless existence. Then one day he apparently witnesses a murder in the park. A slow moving thriller, Antonioni's film is also a meditation on the relationship of film to reality and the relationship of the individual to society. find out more...

Certification15 Our Rating

At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...


Certification15 Our Rating

A young filmmaker attempts to understand his life by recording it on film, only to have his experiment turn into an alienating, voyeuristic obsession. One of the neglected milestones in contemporary film history, this legendary independent classic captures the state of mind and the state of the art in late 1960s America. find out more...

Certification15 Our Rating

An intimate portrait of working-class life in early 20th Century Malmo; Maria is the working class mother of seven, married to a violent, drunken, abusive husband with a bullying nature. By chance she discovers that she has a talent for photography, an ability to see things in a way that others cannot, and it is the confidence that this gives her which enables her not so much to liberate herself, but to learn to live within the rules of the social milieu into which she was born. Powerful stuff, find out more...

Certification15 Our Rating


CertificationE Our Rating

A seminal piece of movie-making, a montage of Moscow life in 1929, using all sorts of new techniques, dissolves, split screens, slow motion and split screens. Vertov's exploration of the relationship between camera, actuality and history opened up issues that have been explored ever since by the likes of Godard in particular. This tape includes two versions of the film, the first with music from the Alloy Orchestra and the second with a commentary by leading cinema historian Yuri Tsivan. A radic find out more...

Certification15 Our Rating

Edward Burtynsky, a photographer of industrial landscapes, building sites, wreckers' yards etc, is the nominal subject of this documentary as he travels, mainly in China, to beautify what most of us consider the unbeautifiable. However director Jennifer Baichwal also reveals herself to be a dab hand, filming the same sites with stunning use of light, colour and composition. find out more...

Certification12 Our Rating

Life is crazy. You're crazy, I'm crazy, we're all crazy. We're all a little bit Minnie, and a little bit Moskowitz. Sometimes it does seem best to be sensible...but then what might you be missing out on? You gotta be you. You don't have to park cars and semi-randomly yell at people, but you can't hide yourself behind a veil (or dark sunglasses) and pretend and act like ever find out more...