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ALFIE (1965)

Certification15 Our Rating

Michael Caine as the famous cockney lover in the famous 60's sex comedy. Hoping from bed to bed, keeping count of his conquests until a whole lot of serious complications make him take a long hard look at his lifestyle. Perhaps Michael Caine's best ever performance. find out more...

CertificationU Our Rating

A successful actress employs a woman in exchange for her flattery, only to find her employee is scheming her way to the top at her own expense. An intelligent, bitchy script complements the fine acting, making this one of Time Out's top 100 films of all time. Won Best Picture at 1950 Academy Awards.

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KANAL (1956)

Certification12 Our Rating

Part 2, and surely the greatest, of Wajda's trilogy describes the last days of the failed 1944 Warsaw uprising against the Nazis. The imagery of the sewers, to which the Polish fighters retreat, is superbly used to represent both their desperation and their new Soviet prison. Made in 1956 despite Stalinist censorship. find out more...
KWAIDAN (1964)

CertificationPG Our Rating

Kobayashi's remarkable 'ghost' stories are a beautiful amalgam of traditional Japanese art and subtle direction. The four stories are adaptations of 18th century ghost stories by Lafcadio Hearn and are eerily compelling. Their dramatic impact is all due to subtle visual nuances. Excellent. find out more...

CertificationPG Our Rating

The catalyst is the mystery disappearance of a young girl on holiday, but the film concentrates on the burgeoning romance between the missing girl's lover and her best friend as the pair embark on a distinctly half-hearted search. Set against a desolate Sicilian landscape, this highly stylised drama was once considered the be all and end all of art house poseur, it's reputation has sunk but it's still a must see film classic. find out more...

CertificationPG Our Rating

Vittoria has just suffered the break-up of an imperfect relationship with a staunch intellectual when a brash young stockbroker makes his first tentative romantic advances, but the couple's innermost fears prevent their relationship from becoming a pure expression of their love. The winner of a Special Jury prize at Cannes, this exquisitely performed and photographed drama defines Antonioni's thematic preoccupation with the difficulties of communication and the impossibility of love; completing find out more...
LOVE (1971)

CertificationU Our Rating

Two womens' lives have become rituals around an absent man, one is the man's bedridden mother, who believes her imprisoned son is hitting the big time in America, and the other his wife, carefully sustaining the illusion in the old lady. find out more...

CertificationU Our Rating

Tati's first colour film, a contrast between the glorious awfulness of the Arpels' automated modernistic house and Hulot's chaotic Bohemianism. Insane gadgets slam and roar, and heels click like metronomes in this wonderfully observed comedy. find out more...

CertificationPG Our Rating

In the 17th Century a group of nuns claimed to be possessed by the devil with Joan, the convent head, leading the possession stakes with at least 8 demons on her slate. An innocent young priest, the latest in a long line sent to investigate, is going to have to go to hell and back to save her soul. Chronologically the film acts as a sequel to Ken Russell's 1971 shocker 'The Devils', and if you've seen that you'll know what a lying bitch Joan is. Superb black and white photography gives an expres find out more...

Certification12 Our Rating

It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...