A succesful photograper in swinging sixties London leads an aimless existence. Then one day he apparently witnesses a murder in the park. A slow moving thriller, Antonioni's film is also a meditation on the relationship of film to reality and the relationship of the individual to society. find out more...

A father is haunted by the death of his young child. Omens point to disaster and hallucinations predict the future as this wonderful atmospheric film moves to its disturbing climax. Shot in the beautiful city of Venice and based on the book by Daphne du Maurier.

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The 1960s and tradition is teetering on the edge, a group of minor public school boys can't hack it any more and rebellion brews. Discovering a cache of automatic weapons, they revolt bloodily against the establishment around them, from the rooftop they engage in a firefight with the teachers and other students, who are armed with the Army Cadet training rifles. A classic of the English cinema... rise up all teens. find out more...

Critically maligned on its release, this tale of a twisted lens-man who lures unsuspecting female victims to their grisly death is an interesting study in the voyeuristic implications of cinema. The killer is an eternal victim whose crimes are cries of rage against his father and stepmother and, at the same time, pathetic rehearsals for his own inevitable death. A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour. find out more...

Based on David Low's cartoon character, Major General Clive Wynne-Candy, VC, we back-track over his life, drawing us into sympathy with the prime virtues of honour and chivalry which have transformed him from dashing young spark of the 1890s into crusty old buffer of World War II. Roger Livesey gives us not just a great performance, but a man's whole life, losing his only love (Deborah Kerr) to the German officer (Walbrook) with whom he fought a duel in pre-WWI Berlin, then becoming the latter's find out more...

When a Woman Ascends the Stairs might be Japanese filmmaker Mikio Naruse's finest hour, a delicate, devastating study of a woman, Keiko, played heartbreakingly by Hideko Takamine, who works as a bar hostess in Tokyo's very modern post-war Ginza district. Sly, resourceful, but trapped, Keiko comes to embody the conflicts and struggles of a woman trying to establish her independence in a male-dominated society. A profoundly moving masterpiece. find out more...