One of the most stylish and successful epics to emerge from the Hollywood-on-the-Tiber phase of film history. Quinn plays Barabbas a man literally marked with the blood of Jesus, whose spiritual/physical journey begins at the Crucifixion and, after a period in the sulphur mines, ends in the Roman gladiator arena, where he tries to win his freedom and confront his inner demons. find out more...

One of the most spectacular epics of all time, even by the standards of Hollywood, the famous twenty minute chariot race alone took three months to shoot, and, along the way, Ben is given a helping hand and converted by Jesus. An unmissable slice of movie history. Won Best Picture at 1959 Academy Awards. find out more...

At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...

A controversial version of the gospels in which the central conflict is seen in terms of political struggle and betrayal. Detailing the Jews' rebellion against the oppressive power of Rome, it elevates Barabbas to the status of a proto-Zionist nationalist leader, and the dynamics of the narrative are presented as the consequence of wide-ranging historical movements rather than in terms of individuals. When Jesus is born in Bethlehem there are some who recognize him as the future king of the J find out more...

Among the lavish sets one can detect a plot in which one of Nero's Roman commanders falls in love with a Christian girl and they both get thrown to the lions. Ustinov barks, foams at the mouth, sets fire to the eternal city, and steals the show. Rivetting acting in one of the last great cinema epics.

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In first century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings and split up. The boy, allowed to choose who he goes with, chooses Ascilto. Only a sudden earthquake saves Encolpio from suicide. We follow Encolpio through a series of adventures, where he is eventually reunited with Ascilto, and which culminates in them helping a man kidnap a hermaphrodite demi-god from a temple. The god dies, and as punishment Encolpio becomes imp find out more...

A luxurious visual interpretation of the biblical text performed entirely by non-professionals. The director's Catholicism and Marxism serve him well here as the Messiah is presented as a distinctly political figure fuelled by anger at social injustice, while the miracles are just incidental. Pasolini's stunning photography combined with a magnificent musical score, from Bach to Billie Holiday, make this a breath-taking feast. Both religiously and politically powerful. find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...

When a Woman Ascends the Stairs might be Japanese filmmaker Mikio Naruse's finest hour, a delicate, devastating study of a woman, Keiko, played heartbreakingly by Hideko Takamine, who works as a bar hostess in Tokyo's very modern post-war Ginza district. Sly, resourceful, but trapped, Keiko comes to embody the conflicts and struggles of a woman trying to establish her independence in a male-dominated society. A profoundly moving masterpiece. find out more...