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Certification18 Our Rating

This black comedy directed by John Waters is one of the best films around. When renegade filmmaker Cecil B. Demented vows to "punish bad cinema" his plans include a group of generally weird and freaky film buffs called the Sprocket Holes, who each have a tattoo of a different indie filmmaker, led by the radiant Alicia Witt, Demented's sometime-lover. Demented and his crew kidnap Hollywood's sweetheart Honey Whitlock and force her to perform in their rebel film and she slowly becomes "Demented F find out more...
CRY-BABY (1990)

Certification15 Our Rating

US teen heart-throb Johnny Depp plays Wade "Cry-Baby" Walker, the coolest dude in school and the baddest boy in Baltimore. Rich, prim, new girl Alison thinks he's a dream, her grandmother thinks he's a nightmare. An even weirder cast than 'Hairspray' in this quirky, offbeat musical extravaganza that's got a touch of traditional John Waters shock stuff, but is predominately a parody of both 50s teen rebellion and 50s teen musical flicks. Its reputation has grown hugely with time. find out more...
HEATHERS (1990)

Certification18 Our Rating

Veronica is a dissatisfied member of the in-crowd at high school until she meets JD, a cool newcomer to town, and they decide to play a practical joke on the 'queen bee', unaware she's about to become complicit in a series of murders. An offbeat, highly original and very black teen comedy. Brilliant, one to watch. find out more...

Certification15 Our Rating

I'M YOUR PUNK ROCK PROM QUEEN...HOTTER THAN YOU'VE EVER SEEN find out more...

Certification15 Our Rating

When Janet and Brad (the All-American couple) are stranded at an old dark house their old fashoined morals are immediately threatened by the kinky Transylvanians. A classic combination of spoof sci-fi and camp horror laced with some terrific songs. By not going to the cinema you'll avoid the fanatics. find out more...

Certification15 Our Rating

Two best friends leave their Arkansas town for a weekend break, but become fugitives before crossing the state line. As the police get closer the friends grow farther away from the women they were when they first left town. Their hair comes down as they take to the fugitive life but they grow ever out of control of their own situation. Wrongly hailed as an anti-man flick upon its original release, this feminist classic has become a landmark in the history of film. Davis and Sarandon were duall find out more...