One of the best dramas from the "New British Cinema" of the 1950s and 60s. A young Salford girl gets pregnant by a black sailor after leaving home and considers her options, while fighting off the affections of Jeff, a heart of gold with a funny face. A grittily realistic portrait of the era that will delight fans of Northern cinema. find out more...

Possibly Allen's best picture, this won 4 Oscars when it was released and follows the "nervous" romance of Alvy, a comedian, and Annie, a singer. Reputedly based on Allen and Keaton's real-life romantic-comedy it is a satire of social mores from LA to California, and discusses a bit of life, the universe, et al. find out more...

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The world as a lunatic asylum. Jack Nicholson plays the anarchist determined to challenge the smug system of authority and obedience that rule the roost. The first film by Czech dissident Forman after migrating from Czechoslovakia to the United States, and a superb comment on society! Won Best Picture plus others at 1975 Academy Awards. find out more...

After the 11th September 2001 the War Against Terror is preparing to move on to Iraq. The UN have sent in the weapons inspectors to find if Saddam has indeed Weapons of Mass Destruction and the political machines in both the UK and US are working to present the strongest possible case for war in the face of (in the UK) very vocal opposition from the public. With the dossiers released and the threat established the "need for war" is set and, on the 19th March 2003, th find out more...

Three women, separated across the 20th century, held together by the trials of time, love and loss. The first, Virginia Woolf, is in the throes of her first defining novel, Mrs Dalloway, while the second is a 1950s housewife now reading Woolf's book, and drawn towards a momentous re-evaluation of her life. The most contemporary of the trio is Clarissa, a woman who to all intents and purposes is Mrs Dalloway, and it is the gradual intertwining of their stories that comprises much of the film's ch find out more...

Burton and Taylor in a screen version of the kind of love-hate relationship which they were famous for in private, a kind of on-screen therapy. Taylor gives what is probably her finest performance as the blowsy harridan Martha, while Burton is not quite so hammy as usual as her angst-ridden college professor husband. The verbal fireworks that occur when they invite a young couple to dinner are surprisingly convincing. A must see classic. find out more...