A disturbing Danish film, reanacting witchcraft trials from the 15th and 16th on till the early 20th Century. Mixing scenes of reanactment, animation and illustrated slideshows to depict events of alleged real-life events and possessions, we are shown images of extreme cruelty which smack of the experimental edges of medical research. This must have been tantamount to the work of the devil when it first came out. Sick-minds they had back in 1922! The DVD has a choice of soundtracks, the best of
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HENRY THE FIFTH (OLIVIER) (1944)
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This is the Shakespearean opus containing many a familiar line, "Once more into the breach dear friends..." amongst them, and spoken by an absolutely outstanding cast. A must to watch, even if it's not on your school syllabus!
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RICHARD III (OLIVIER) (1955)
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Richard's military skills have helped to put his older brother Edward on the throne of England, but jealousy and resentment cause Richard to seek the crown for himself, and he conceives a lengthy and carefully calculated plan using deception, manipulation, and outright murder to achieve his goal. His plotting soon has tumultuous consequences, both for himself and for England.
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THE AGONY AND THE ECSTASY (1965)
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Supposedly a biography of Michelangelo, it is much more that of Pope Julius II, who, when not on the battlefield uniting Italy, nags Michelangelo, in an engaging and witty script, to speed up his painful work painting the Sistine Chapel, and wonders when he will finsh. The transformation of the chapel ceiling, which was originally dotted with stars, to an opulent statement of high renaissance is engrossing.
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THE TRIAL OF JOAN OF ARC (1962)
CertificationPG Our Rating
Concentrating on the trial and torture of the young French warrior who provoked such fear in the church and state, a zealot in the eyes of those in power and one whose fate was sealed as soon as her capture was assured. Using historical records as the basis for the film, Bresson's The Trial Of Joan Of Arc has the feeling of a docu-drama and is reminiscent of the claustrophobic intensity of Arthur Miller's ‘The Crucible'. An emotionally harrowing and rewarding observation of untouchable faith and
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WHEN A WOMAN ASCENDS THE STAIRS (1960)
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When a Woman Ascends the Stairs might be Japanese filmmaker Mikio Naruse's finest hour, a delicate, devastating study of a woman, Keiko, played heartbreakingly by Hideko Takamine, who works as a bar hostess in Tokyo's very modern post-war Ginza district. Sly, resourceful, but trapped, Keiko comes to embody the conflicts and struggles of a woman trying to establish her independence in a male-dominated society. A profoundly moving masterpiece.
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