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AMADEUS (1984)

CertificationPG Our Rating

An award winning film full of baroque splendour. The talented composer Antonio Salieri found himself in competition with Mozart, a genius, and he couldn't understand why God favored such a vulgar creature to be his instrument. Salieri turned into a hate-filled monster, whose aim in life became to ruin his colleague, but he emerges as a tragic and sympathetic character. He alone could appreciate the perfection of Mozart's music and, perhaps, he speaks up for all of us whose talents fall short of find out more...
BADLANDS (1974)

Certification18 Our Rating

He was 25-years-old, combed his hair like James Dean. She took music lessons and could twirl a baton, she was 15. For a while they lived together in a tree house then in 1959, she watched while he killed a lot of people. A tale of two dumb kids going nowhere who achieved infamy in the US Midwest. The original to films like Natural Born Killers and True Romance. Sheen, Spacek and Malick debut in this impressive cult classic Brilliant - watch it! find out more...

CertificationPG Our Rating

A truly epic epic and winner of 7 Academy Awards. Lawrence serves British colonial interests during the First World War by uniting the Arabs against the fast collapsing Ottoman Empire. Stupendous cinemascope drama with a cast of thousands and some of cinema's most famous shots; Sheik Ali's emergence from the desert haze and the storming of Aquaba for example. This is the director's cut, a more coherent version than the original cinema release. find out more...
PALIO (2015)

Certification12 Our Rating


Certification18 Our Rating

The true story of champion boxer Jake La Motta brought to the screen by De Niro and Scorcese - probably the greatest partnership of the 1980s. De Niro watched innumerable boxing videos and gained 2 stone to put in a performance that won him an Oscar. Voted Best Film of the '80s by the critics. find out more...

CertificationU Our Rating

An expressionistic look at the ballet world focusing on the rigid relationship between artist and teacher until a young composer brings the ballerina back to reality. Ground-breaking at the time in its use of colour and movement and made more intriguing by its real-life model of Nijinsky/Diaghilev.

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