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CertificationPG Our Rating

This movie shocked audiences back when it was first released, a sympathetic portrayal of two strangers who meet in a train station and have a non-consumated extramarital affair, was too strong for the times. Written by the equally shocking Noel Coward, this is a classic British melodrama. find out more...

Certification15 Our Rating

A superb portrait of Liverpudlian working class life in the 1940s and 50s. The family gather to recall their domineering father through a brilliantly realised almost episodic series of reminiscences cleverly undercut with period music. Ambitious, elegant and profoundly moving, highly rated by critics and won FIPRESCI, the International Federation of Film Critics Prize, Cannes 1988. find out more...

Certification15 Our Rating

A father is haunted by the death of his young child. Omens point to disaster and hallucinations predict the future as this wonderful atmospheric film moves to its disturbing climax. Shot in the beautiful city of Venice and based on the book by Daphne du Maurier.

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Certification18 Our Rating

Critically maligned on its release, this tale of a twisted lens-man who lures unsuspecting female victims to their grisly death is an interesting study in the voyeuristic implications of cinema. The killer is an eternal victim whose crimes are cries of rage against his father and stepmother and, at the same time, pathetic rehearsals for his own inevitable death. A Freudian script of notable maturity teases limitless implications from this premise, while maintaining a healthy sense of humour. find out more...

CertificationU Our Rating

An expressionistic look at the ballet world focusing on the rigid relationship between artist and teacher until a young composer brings the ballerina back to reality. Ground-breaking at the time in its use of colour and movement and made more intriguing by its real-life model of Nijinsky/Diaghilev.

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Certification15 Our Rating

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...