Nicholson deservedly bagged the Best Actor Oscar for his portrayal of novelist Melvin Udall, a guy who manages to embody pretty much every loathesome charactistic known to man. Melvin seems to hate everybody, but most of all he hates himself. Plagued by manic depression and compulsive behaviour disorders, Melvin rarely leaves his apartment except to visit his favourite eaterie, where he insults all who cross his path. Only his long-suffering favourite waitress seems to be the only person in the find out more...

At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...

A rather over-sentimentalised romantic drama about the wife of a war-hero who falls in love with a paraplegic 'Nam vet. The drama is underplayed, and cliched in places, and Jane Fonda, despite a sterling attempt, comes across as just a bit too saintly. The ending adds credibilty though. find out more...

Two of Hollywood's oldies star together as a septuagenarian couple visiting their lakeside New England bungalow in this tear-jerking family bonding movie. When middle-aged daughter Jane arrives with her boyfriend and his teenage son in tow, the scene is set for the old man to teach the boy to fish and to read Treasure Island. find out more...

The world as a lunatic asylum. Jack Nicholson plays the anarchist determined to challenge the smug system of authority and obedience that rule the roost. The first film by Czech dissident Forman after migrating from Czechoslovakia to the United States, and a superb comment on society! Won Best Picture plus others at 1975 Academy Awards. find out more...

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...