A gutsy 30s gangster noir with two 'hood boys whose paths into adulthood are a complete contrast; Cagney becoming a violent gangster and O'Brien a priest. O'Brien has to fight the local kids' hero-worship of Cagney, and this leads to an emotional and ambiguous climax. Tense, dramatic, well-acted with sharp dialogue. Astounding.
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ELECTRICITY (2014)
Certification15 Our Rating
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LIFT TO THE SCAFFOLD (1957)
CertificationPG Our Rating
Ronet is the disgruntled war vet who plots to kill his boss and elope with his wife. Meanwhile, other events implicate him in a murder elsewhere, whilst he remains stuck in an immobile lift. Tense, clever plot with cool, minimalist direction by Malle and a great Miles Davis score.
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THE LONG GOODBYE (1973)
Certification18 Our Rating
This is, along with Hawks' The Big Sleep, easily the most intelligent of all screen adaptations of Chandler's work. Altman in fact stays pretty close to the novel's basic narrative (though there are a couple of crucial changes), but where he comes up with something totally original is in his ironic updating of the story and characters: Gould's Marlowe is a laid-back, shambling slob who, despite his incessant claim that everything is 'OK with me,' actually harbours the same honourable ideals as C
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THE THIRD MAN (1949)
CertificationPG Our Rating
The Graham Greene story of black-marketeer Harry Lime, who "dies" and then apparently comes back to life. A totally compelling thriller, set against a backdrop of shattered post-war Vienna and haunted by an evocative zither score.
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