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Certification15 Our Rating

At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...


CertificationPG Our Rating

'High Noon' works on many levels; the second-to-none screenplay, the subtle direction, the clock, Gary Cooper's Oscar-winning performance... It's about a small town sheriff who must basically stand alone to defend the people from a wild gang of outlaws, who have just been let out of jail and will arrive on the noon train. Although he does not have to, and the town does not deserve saving, Cooper decides that he will do the job that he was hired to do. A classic amongst Westerns, it strips the ge find out more...

Certification12 Our Rating

It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...

SHANE (1953)

CertificationPG Our Rating

An archetypal classic Western, since remade countless times, with Alan Ladd superb as the world-weary gunslinger who rides into town and finds himself as the 'good guy' protecting the innocent from powerful malevolent forces. In this case the innocent are squatters determined to fight for their rights against a rancher and his gunmen; in one way this is the evolution of the west from lawlessness to settlement, in another the battle between big and small business. For Shane the options are clear, find out more...

Certification18 Our Rating

Peckinpah completely rewrites John Ford's Western mythology by looking at the passing of the Old West from the point of view of marginalised outlaws rather than law-abiding settlers. While never ignoring their brutality he contrasts their code of loyalty with that of the corrupt railroad magnates. In purely cinematic terms, the film is a savagely beautiful spectacle, Lucien Ballard's superb cinematography complementing Peckinpah's darkly elegiac vision. find out more...

Certification15 Our Rating

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...


Certification15 Our Rating

Reformed hellraiser William Munny saddles up for one last killing, hoping the bounty will help him raise his children. But the steel has softened, and the killing doesn't come so easy any more. More real than any other Western, Clint's creation is bleak, black, desperate and brilliant. find out more...