A respectable, sincere film of Robert Bolt's literate play, with Scofield as Sir Thomas More, endorsing the divine right of the Pope over and above his King, Henry VIII, who wishes to divorce Katherine Of Aragon and marry Anne Boleyn. Watch out for Orson Welles in a marvellous cameo as Cardinal Wolsey. The film won 6 Oscars.
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BECKET (1964)
CertificationPG Our Rating
In a move designed to subordinate the Catholic Church to the state, Henry II gave the office of the Archbishop of Canterbury to his close friend and ally Thomas Becket. With Becket now installed as his 'man on the inside' Henry could be forgiven for thinking that the church would more easily acquiesce to his bidding. Henry, however, had neither bargained on Becket's ecclesiastical fervour nor realized his zealous nature. Thus the stage was set for one of the greatest battles of supremacy between
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FRANCESCO GIULLARE DI DIO (1950)
CertificationPG Our Rating
A beautiful and elegantly simple film about the life and works of Francesco Di Assisi, founder of a religious order that expressed Christianity in a form devoid of materialism but rich in compassion; a faith that the orthodox church, by the time of Francesco's birth in the late 12th century, had long dispensed with. Neorealistic in style and obviously close to Rossellini's heart, this is now acknowledged as one of his greatest masterpieces.
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THE AGONY AND THE ECSTASY (1965)
CertificationU Our Rating
Supposedly a biography of Michelangelo, it is much more that of Pope Julius II, who, when not on the battlefield uniting Italy, nags Michelangelo, in an engaging and witty script, to speed up his painful work painting the Sistine Chapel, and wonders when he will finsh. The transformation of the chapel ceiling, which was originally dotted with stars, to an opulent statement of high renaissance is engrossing.
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