An all time classic 60s movie glamourising the real life story of the Barrow gang who terrorised the American South in the early 30s. 'Reclaiming the American gangster movie, after it had been stolen by the Nouvelle Vague, Penn's film was so successful (and so imitated) that it inevitably met with some grudging devaluation. But it's still great, half comic fairytale, half brutal fact, it reflects the essential ambiguity of its heroes by treading a no man's land suspended between reality and fant find out more...

One of the finest Spaghetti's in the west! Banned for 25 years, it has lost nothing of its hard-edged impact. The gringos are bad and the law are worse! The hero, Django, dispenses justice from a smoking Gatling gun, and sounds like a dubbed Clint Eastwood. Absolutely superb! find out more...

A stunningly photographed epic western and Peckinpah's finest film. This is a tale of two old friends forced onto opposite sides of the law by the greed of cattle barons. A brilliant portrait of the arbitriness of the law during the twilight years of the Wild West. Essential viewing and, of course, there's Bob Dylan's soundtrack. find out more...

It's 1930s Manchuria and various gangsters are fighting it out for possession of a legendary treasure map. As our three main characters lurch toward their destinies, trains are robbed, assassinations avoided (or not), raids take place, gun battles erupt, fingers get cut off, bodies drop etc. find out more...

Crusading frontier policeman Captain Stanley captures the fugitive Burns brothers, Charley and Mikey, at the scene of a bloody rape and murder. Informing Charley that he must kill his older brother, Arthur, in order to avoid the execution of Mikey, Stanley retreats to an old jailhouse and awaits the bloody outcome. Director John Hillcoat's second collaboration with Nick Cave (here contributing the film's screenplay and soundtrack), is a taut and often brutal character study of desperation ami find out more...

Peckinpah completely rewrites John Ford's Western mythology by looking at the passing of the Old West from the point of view of marginalised outlaws rather than law-abiding settlers. While never ignoring their brutality he contrasts their code of loyalty with that of the corrupt railroad magnates. In purely cinematic terms, the film is a savagely beautiful spectacle, Lucien Ballard's superb cinematography complementing Peckinpah's darkly elegiac vision. find out more...