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CertificationPG Our Rating

A scientific expedition sniffing around in the Amazon awaken the interest of a man in a rubber suit, who proceeds to stalk, kill and kidnap (he's infatuated with the pretty female on board) expedition members. 'Creature From the Black Lagoon' endures as a classic icon from 50s B-movie sci-fi/horror flicks. Every decent DVD library should have this even if it never rents. find out more...
CREED (2015)

Certification12 Our Rating


Certification15 Our Rating

Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...


Certification18 Our Rating

George Romero's classic horror satire gets a rather more serious modern day makeover, resulting in a genuinely frightening addition to the zombie genre. The plot remains fairly true to the original, portraying a world where all the seats around Satan's dinner table have been filled, forcing the recently departed to walk the earth instead. Only this time they don't walk, see. They run. And it is this subtle change that moves this film from gory satire to an edge-of-the-futon suspense horror, as a find out more...

Certification18 Our Rating

In this, the sequel to Night Of The Living Dead, the flesh eating zombies return. As they shuffle around a deserted shopping mall one can only but reflect on the damage supermarket muzak inflicts on the senses. Good shocker from the master of the undead, George A Romero. find out more...

Certification15 Our Rating

George Romero's classic horror satire gets a rather more serious modern day makeover, resulting in a genuinely frightening addition to the zombie genre. The plot remains fairly true to the original, portraying a world where all the seats around Satan's dinner table have been filled, forcing the recently departed to walk the earth instead. Only this time they don't walk, see. They run. And it is this subtle change that moves this film from gory satire to an edge-of-the-futon suspense horror, as a find out more...

Certification18 Our Rating

The third part of Romero's zombie triology. A bigger budget than the other two and featuring state of the art zombies. A small bunch of survivors are holed up in a bunker with their hopes resting on a small group of scientists experimenting on the zombies. Tense rather than terrifying, and with a black comic undercurrent, it rests on the bleak observation that, zombies or no zombies, chances are that we, the living, will tear each other apart. Not for the faint hearted. find out more...

Certification15 Our Rating

Day Watch is a tour-de-force of post-Communist Russian cinema and has become the country's biggest grossing movie to date; it continues the saga of light vs dark begun in 'Night Watch' and is crammed full of stunning special effects and action. If you liked 'Night Watch' then "Day Watch" will give you much, much more of what you want... fabulous (if not somewhat incomprehensible). find out more...

Certification15 Our Rating

Preposterous but very entertaining paranormal-actioner, presided over by a tangle of giant squid. A bunch of thieves, led by Treat Williams, board a luxury cruise liner in the South Seas, only to find that all the passengers have had the water sucked out of them by an unknown entity (the aforementioned squid). So it's no great surprise when Treat's gang, poking around in the pitch black floating morgue, begins to diminish in numbers at an alarming rate. Schlock-horror, elevated by a strong cast find out more...

Certification18 Our Rating

From the man who brought you Not Quite Hollywood: The Wild Untold Story of Ozploitation, comes a whistle-stop tour through the similarly wild, untold story of how two men from Israel changed the movie-producing business - for better and for worse.

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