It's six months after the initial infection and the U.S. army have restored order and are slowly bringing British citizens back to a quarantined London, where a heavily guarded community is picking up the pieces and trying to return to normal life. Into this precarious situation come Andy and Tammy, a brother and sister who were lucky enough to be on a foreign school trip when the virus originally broke out. Reunited with their father, Don, they learn that their mother perished in the first few find out more...

Much imitated but never equalled, this is the definitive space nightmare. The crew of a commercial spacecraft are stalked by a stowaway, mutating monster of veracious appetite. Weaver puts in a splendidly believable performance as the resourceful Ripley. Taut script and awesome special FX. find out more...

Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...