Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

The fifth cinematic outing for 'The Invasion of the Body Snatchers', Jack Finney's tale of paranoia and alien replicants. In this version a DC shrink begins to suspect something is awry when more and more of her patients complain that their loved ones are no longer their loved ones, a suspicion that is confirmed when she visits the home of one of her clients to find the husband in a cocoon (or 'pod' if you like). With the rest of civilisation increasingly succumbing to the alien 'virus' while th find out more...

A strange little tale about porn cable TV stations, sado-masochism, deteriorating reality configurations and a plot to take-over the world through the new electronic reality. Marshall McCluhan meets The Evil Dead. Now re-released containing footage that was originally cut by the censor. find out more...