A trio of tales told portmanteau style with Boris Karloff as your host; find out more...

The funniest, sexiest and most stylish Dracula film ever! Made by Andy Warhol's sidekick, Blood for Dracula follows the tortured, vegetarian Count as he and his menacing manservant set forth for Italy in the early 19th century, complete with coffin on roof-rack, searching for juicy Catholic virgins. Visually stunning and deliciously deadpan. find out more...

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The inhabitants of a traditionalist Carpathian village are terrified for their lives as a series of ghastly murders rock the community. The killer demon is the vengeful ghost of Baroness Graps' dead daughter, Melissa, who wants to collect the souls of the hapless villagers. Only a local sorceress, and a visiting 'modern/rational' doctor, stand in the way of the Grap family's evil hold on the people, but is she powerful enough to end the slaughter? And can he lend a hand? find out more...

Seminal vampire film, the first to be based upon the Bram Stoker tale. An estate agent's clerk from Bremen embarks on a journey to Orlock's castle, where a client of his resides. On arrival, the full horror of the inhabitants confront him. Wonderful imagery and direction. Imitated but never equalled. find out more...

Shortly after coming to live with orphans Flora and Miles in their dark, eerie mansion, the new governess begins to realise that her young charges share their bodies with evil spirits and sets about trying to save the children from their fate at increasing personal risk to herself. Based on Henry James' gothic ghost tale "The Turn Of The Screw", 'The Innocents' is rich in malevolent atmosphere, a classic spine chiller. find out more...

Barbara Steele stars as a resurrected witch who was burned to death in a small medieval town and seeks revenge on her persecutors by possessing the body of the witch's beautiful look-alike descendant. Only the girl's brother and a handsome doctor stand in her way.

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"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...