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CertificationU Our Rating

The original and still the best. Glenn Ford plays the outlaw Ben Wade whose capture leads to a desperate and dangerous mission for the poor rancher, Dan Evans, who is charged with bringing the renegade to justice on the 3.10 train to Yuma. find out more...

Certification15 Our Rating

An all time classic 60s movie glamourising the real life story of the Barrow gang who terrorised the American South in the early 30s. 'Reclaiming the American gangster movie, after it had been stolen by the Nouvelle Vague, Penn's film was so successful (and so imitated) that it inevitably met with some grudging devaluation. But it's still great, half comic fairytale, half brutal fact, it reflects the essential ambiguity of its heroes by treading a no man's land suspended between reality and fant find out more...

Certification15 Our Rating

At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...

DJANGO (1965)

Certification18 Our Rating

One of the finest Spaghetti's in the west! Banned for 25 years, it has lost nothing of its hard-edged impact. The gringos are bad and the law are worse! The hero, Django, dispenses justice from a smoking Gatling gun, and sounds like a dubbed Clint Eastwood. Absolutely superb! find out more...

Certification15 Our Rating

Lumet's complex and atmospheric thriller is based on a real event. Pacino is superb as the neurotic and incompetent gay bankrobber who needs the money from the robbery to finance his lover's sex change operation. The film's beauty is it's closely detailed psychological observation. Excellent.

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JCVD (2007)

Certification15 Our Rating

Washed-up, fighting bankruptcy, and in the midst of a desperate struggle to win his daughter back from the jaws of a bitter custody battle, Van Damme returns home to Belgium. Unwittingly caught up in a lethal robbery the action hero/actor must confront not only the public's conceptions of him but his own personal demons. JCVD is a cracking tale that seamlessly and intelligently blends fact with fiction, while Van Damme is a revelation; his five minute monologue to camera being a particularly poi find out more...

Certification18 Our Rating

A superb modern thriller in the ultra-hardboiled Jim Thompson mould, in which a trio of criminals, wanted for a brutally murderous drugs heist, converge on a small, quiet Arkansas township where the local cop, treated with contempt by the LA officers in charge of the case, looks forward to a High Noon-style showdown. The asides on racial and sexual inequality are made subtly and succinctly; the performances and pacing are nigh perfect; the violence is explicit, disturbing but never gratuitous; a find out more...

Certification12 Our Rating

It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...


Certification15 Our Rating

A formidable gangster thriller later to be cribbed by Tarantino. An itchy crew of criminal cronies grab a metro carriage of civilians and demand $1 million ransom, causing the kind of chaos in New York City that a traditional train heist causes the cavalry. But, once they've got the ransom, how on earth do they expect to get away? find out more...

Certification15 Our Rating

"Josephine Decker has created a new style of thriller that employs allegory, incorporates touches of David Lynch as well as Magritte -esque imagery. Decker's setting of a remote farm feels like a metaphor for what turns out to be hell. The raw and emotional (and yes, sometimes funny) dialog tells a story that can seem familiar at points but really is meant to keep you guessing and off balance. I really enjoyed how the undertones of this film came to life through her very deft contrast of the find out more...