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No Image for BONNIE AND CLYDE
BONNIE AND CLYDE (1967)

Certification15 Our Rating

An all time classic 60s movie glamourising the real life story of the Barrow gang who terrorised the American South in the early 30s. 'Reclaiming the American gangster movie, after it had been stolen by the Nouvelle Vague, Penn's film was so successful (and so imitated) that it inevitably met with some grudging devaluation. But it's still great, half comic fairytale, half brutal fact, it reflects the essential ambiguity of its heroes by treading a no man's land suspended between reality and fant find out more...
No Image for CASABLANCA
CASABLANCA (1942)

CertificationPG Our Rating

Nothing more can be said about this classic melodrama from the peak of the Hollywood studio-film era. Hardened cynic Bogart softens when he meets old flame Bergman who is now a refugee in neutral wartime Casablanca. Together they outwit the Germans... and of course there's that famous song. Watch this classic or some day you'll regret it. Maybe not today, maybe not tomorrow... find out more...
No Image for CITIZEN KANE
CITIZEN KANE (1941)

CertificationU Our Rating

A landmark in the history of the cinema; it was ranked Number 1 in the American Film Institute's 100 greatest films of all time in two polls (1998 and 2007) of more than 1,500 film industry movers and shakers and again by UK directors in a BFI poll. "Citizen Kane" narrates the rise and fall of a newspaper tycoon driven by a childhood obssession and is loosely based round the life of William Randolph Hurst, who tried to have it banned, but incorporates elements from the lives of other fat cats il find out more...
No Image for DOUBLE INDEMNITY
DOUBLE INDEMNITY (1944)

CertificationPG Our Rating

Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...

No Image for FOR A FEW DOLLARS MORE
FOR A FEW DOLLARS MORE (1965)

Certification15 Our Rating

Second in the famous series of spaghetti westerns and quite brilliant it is too. Those long lingering shots, the clink of spurs, the scratching sound of hands dragged across unshaven chins and above all THAT music... What more could you ask for in a western? find out more...
No Image for HARVEY
HARVEY (1950)

CertificationU Our Rating

Elwood's sanity is brought into question when he starts seeng a six-foot rabbit. His family however are more concerned with the effect it is having on their social standing, and make moves to have him committed. A brilliant farce and deservedly famous film. Puts the C in classic. Charming. find out more...
No Image for KIND HEARTS AND CORONETS
KIND HEARTS AND CORONETS (1949)

CertificationU Our Rating

The best film in the history of comic British cinema. A black tale of sex, adultery, murder and social class told with low key irony. Alec Guinness plays all the leading roles, and the delightfully witty and sardonic script is ideal for him. A landmark of British film. find out more...
No Image for M'
M' (1931)

Certificationpg Our Rating

Lang's first sound film, and perhaps his most imaginative. The plot concerns the police search for a Berlin child-molester. The underworld is forced to look amongst its own for the perpetrator. Lang draws fascinating parallels between police and criminals in this radical masterpiece. find out more...
No Image for PSYCHO
PSYCHO (1960)

Certification15 Our Rating

Do you really need to be told about this film? The Bates' Motel, the shower sequence and, of course, Mother! THE Hitchcock movie! find out more...
No Image for REAR WINDOW
REAR WINDOW (1954)

CertificationPG Our Rating

Hitchcock's masterpiece. A news photographer is confined to his apartment by an injury and spends his days watching the neighbours. He comes to believe that he is witnessing the preparations for a murder. Based on the novel by Cornell Woolrich. Suspense, ambiguity and voyuerism; total brilliance! find out more...