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Certification15 Our Rating

1560, Peru. In a beautiful poetic opening scene the conquistadors cross an Andes pass, situated between the peaks and the valleys, between conquered land and unexplored forests, between 'heaven' and 'earth', shrouded in mists, they make their way down a narrow path. Aguirre's meglomania grows as around him his comrades mutiny and die in his search for the lost city of El Dorado. Herzog's best film, an unforgetable tour de force. Made before the director himself gave in to meglomania on a later t find out more...

Certification18 Our Rating

The funniest, sexiest and most stylish Dracula film ever! Made by Andy Warhol's sidekick, Blood for Dracula follows the tortured, vegetarian Count as he and his menacing manservant set forth for Italy in the early 19th century, complete with coffin on roof-rack, searching for juicy Catholic virgins. Visually stunning and deliciously deadpan. find out more...

Certification15 Our Rating

Leone's superb all-encompassing epic portraying the death of the mythical 'Wild West'. A superb cast, the collaborations of Bertolucci and Argento, and Morricone's brilliantly atmospheric score all add to the incredible style and weight of Leone's creation. A true cinematic masterpiece! A candidate for greatest movie ever made, if you haven't... then you must. find out more...

Certification18 Our Rating

The film version of Kurt Vonnegut Jr's famous anti-war sci-fi novel. Slipping back and forth along his own life line a suburban optometrist experiences the fire bombing of Dresden and captivity on the planet Trafalmardore. A powerful and seemingly unfilmable book that turned out to be a great movie. find out more...

Certification18 Our Rating

Set against the background of the English Civil War, this tale of the violent persecution of alleged witches by the eponymous central character is a masterpiece of 60's British cinema. Excellent performances, (especially Vincent Price's), complement evocative use of scenery. One point of interest is the changes in film stock, which makes the film appear redder at the end than at the beginning, a deliberate ploy on behalf of the director who uses the deepening crimson to symbolise the story's find out more...