A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the second version re-edited by Ridley Scott; all the good bits remain, with the onl find out more...

A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the originally released version with no unicorns in a dream, a voiceover to keep y find out more...

Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...

Luc Besson goes big budget in this hi-tech sci-fi with Bruce Willis as an amiably tongue-in-cheek taxi-driver, Milla Jovovich as the bizarrely bandaged damsel in distress and Gary Oldham as the bad guy with the odd hairdo - and there's even a cameo from Tricky. A movie that delights in firepower, explosions and loudly destructive mayhem but the real stars are Dan Weil's production design, Jean-Paul Gaultier's outlandish costumes and Digital Domain's special effects. find out more...