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Certification15 Our Rating

Based on Peter Biskind's revelationary book, Easy Riders Raging Bulls is a gobsmacking and addictive insight into the cocaine fuelled genius of Hollywood's movers, shakers and makers during a period of cinema noted not just for its success but it's willingness to take risks and embrace originality. Though considering the hedonistic behaviour of most involved, it's a miracle they even knew who they were. find out more...

Certification12 Our Rating

Part poetry, part journalism, part philosophy, master filmmaker Jean-Luc Godard's 'Notre Musique' is a lyrical reflection on war through the ages. The film is structured into three Dantean Kingdoms: Hell, Purgatory and Heaven. The journey begins in Hell, modern warfare represented by images of battle and devastation gleaned from movies, TV and newsreels. Purgatory consists largely of discussions between writers and journalists drawn to Sarajevo for a literary conference. Finally, Paradise is con find out more...

CertificationE Our Rating

Anwar Congo and his friends have been dancing their way through musical numbers, twisting arms in film noir gangster scenes, and galloping across prairies as yodelling cowboys. Their foray into filmmaking is being celebrated in the media and debated on television, even though Anwar Congo and his friends are mass murderers. Medan, Indonesia. When the government of Indonesia was overthrown by the military in 1965, Anwar and his friends were promoted from small-time gangsters who sold movie thea find out more...


Certification15 Our Rating

The sequel to The Pervert's Guide to Cinema sees the reunion of brilliant philosopher Slavoj Zizek with filmmaker Sophie Fiennes, now using their inventive interpretation of moving pictures to examine ideology - the collective fantasies that shape our beliefs and practices.

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Certification18 Our Rating

Long the bane of American filmmakers the Motion Picture Association of America, the body that rates film content, is the target of this spot-on investigative documentary. The big questions raised are: 1) WHO are the anonymous 'raters', the so-called arbitors of American morality, and 2) why is there a distinct difference between how studio films are censored and how indie flicks are? Through interviews with indie directors such as John Waters, Kimberly Pierce, Atom Egoyan and Kevin Smith, we get find out more...