Adapted from the classic, absurdist, anti-war novel by Joseph Heller. "Catch-22" is the story of Yossarian, a pilot who trys to opt out of flying bombing missions by being declared insane, the catch being that anyone trying to avoid bombing missions by being insane must be sane. This dark classic catches much of the flavour of the book, the insanity, the corruption and the absurdity of war. Think MASH, but non-linear - flawed but awesome. find out more...

At the peak of her international career, Maria Enders is asked to perform in a revival of the play that made her famous twenty years ago. But back then she played the role of Sigrid, an alluring young girl who disarms and eventually drives her boss Helena to suicide. Now she is being asked to step into the other role, that of the older Helena. She departs with her assistant to rehearse in Sils Maria; a remote region of the Alps. A young Hollywood starlet with a penchant for scandal is to take find out more...

A young American soldier is wounded by a shell in WWI, losing his arms, legs and eyes as well as his ability to hear, speak or smell. Lying in hospital he is barely able to distinguish if he is awake or dreaming and he relives his story in strange dreams and memories. One day Joe finds a way to communicate with the doctors ... find out more...

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Set in the Sino-Japanese war, Yasuzo Masumura's black-and-white anti-war film tells of an army nurse who sexually services an amputee and falls in love with a drug-addicted surgeon. This can't be recommended to the squeamish, but neither can its nuanced eroticism nor its passionate, unpredictable moral focus, be easily shaken off. Comparable with Altman's MASH, it suggests a less comic treatment of the same theme, how to preserve one's humanity in impossible circumstances, but its ethics are con find out more...

The poet Siegfried Sassoon (Wilby), having published a pamphlet opposing the war, has been diplomatically dispatched to Craiglockhart Castle, a military hospital, where pioneering psychiatrist William Rivers (Pryce) tends shell-shocked victims of the trenches. His 'convalescence' brings him into contact with another writer, Wilfred Owen (Bunce), whose poetry Sassoon encourages. Rivers, meanwhile, is heading for a breakdown of his own, brought on less by overwork than his empathy with traumatised find out more...