A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the second version re-edited by Ridley Scott; all the good bits remain, with the onl
find out more...
BLADE RUNNER (FINAL CUT) (1982)
Certification15 Our Rating
Based on Philip K Dick's "Do Androids Dream Of Electric Sheep?" this is a stunning visual account of man's struggle for survival in the 21st Century, a time when robot life forms are beginning to surpass humans in not just intelligence but emotions, raising questions about our concepts of self. This is Ridley Scott's final version of this post-modern sci-fi classic; all the good bits remain, with the only differences being the lack of narration, the downbeat ending, and the blink-and-miss-it dre
find out more...
BLADE RUNNER (ORIGINAL) (1982)
Certification15 Our Rating
A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the originally released version with no unicorns in a dream, a voiceover to keep y
find out more...
MONSTERS: DARK CONTINENT (2014)
Certification15 Our Rating
find out more...
THE MAN WHO FELL TO EARTH (1976)
Certification18 Our Rating
A truly mesmerising adaptation of Walter Tevis's sci-fi tale, and, whatever your opinion of David Bowie's acting skills, few could deny that nobody, but nobody, could fill this role so flawlessly. Newton is an alien, sent to Earth on a mission to save his own race, whose knowledge of the world is derived solely from monitoring TV broadcasts. Newton begins an all-too-obviously doomed romance with a besotted Candy Clark, the archetypal all-American girl, but the love affair turns sour as Newton's
find out more...