Gloria is a 'hot mess' who just can't get her s**t together. Kicked out by her boyfriend and without a dime to get by, she heads back to the small town she came from. Landing on one bad idea after another - she's an alcoholic and she gets a job in a bar - Gloria soon discovers that she is causing pain and destruction to lots of others, not just herself. A literal monster manifests and the result is somewhere between comedy and action. Unfortunately, watching it makes find out more...
Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...
A strange, beautiful film. We watch mother and son as they go about their peculiar daily routine, and we see a dead child in the ocean. It's unnerving and, somehow, everything seems eerily sexual, too. Then we are invited to go underwater where we get a closer look at the strange story science and earth have to tell. There are only mothers and sons in this coastal town. There is routine and control - but who is in control and what happens if someone starts to ask que find out more...
Two college dropouts find themselves as humanity's last hope in this indie comedy horror from director Don Coscarelli. When a new drug named 'Soy Sauce' hits the streets, its effects are unlike any that have appeared before. Allowing the user to travel across time and unknown dimensions, its properties have one major drawback - the user may suffer a horrifying physical metamorphosis. As the drug's popularity grows and strange otherwordly beings begin to make an unwelcome appearance, it falls find out more...
A 'Leatherface' type murderer who wears other people's faces, kills at an all-night horror-thon at an old theatre put on by a bunch of film students. Maggie, the lead character, believes it's really Lanyard Gates, a crazed film maker who killed his family live on stage fifteen years ago. And now he's back to kill his daughter, Sara, who is believed to really be Maggie.
Superlative horror that blends great diy special effects, cinephilia and frights with aplomb. AN find out more...
