Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...

2019; most of the world's population are now vampires, the human population is dwindling fast and, consequently, so is the vampires' food supply... and trust me a thirsty vampire is not a pleasant beastie. Vampire haematologist Ethan is not happy with his corporate mission, researching a synthetic blood product for corporate monopolist vampire fat cat Charles Bromley, so he ends up joining forces with the human resistance, which includes crossbow wielding dialogue spouting Elvis, a vampire who's find out more...

Gloriously tacky, this is the ultimate vampires from outer space extravaganza as a space mission brings back a sexy alien lifeforce sucker from the stars. Like a Hammer movie with a large budget this is a hugely enjoyable sci-fi horror. find out more...

Choppy, choppy, kicky, kicky, bitey, bitey…. The saga continues as Selene, a Death Dealer vampire finds herself hunted by her own kind for the death of Viktor. Hoping to appeal to the last remaining vampire elder, Marcus, Selene and Michael, a hybrid werewolf, set out to track him down. However, Marcus has his own plans and they include his imprisoned lycan brother, William. While Underworld: Evolution is not a plot driven film, it is relentless as our ostracized vampire heroine bounds from one find out more...