Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...
A strange, beautiful film. We watch mother and son as they go about their peculiar daily routine, and we see a dead child in the ocean. It's unnerving and, somehow, everything seems eerily sexual, too. Then we are invited to go underwater where we get a closer look at the strange story science and earth have to tell. There are only mothers and sons in this coastal town. There is routine and control - but who is in control and what happens if someone starts to ask que find out more...
A mission deep into space in the year 2163 becomes a perilous struggle against insanity when the crew become infected by a malignant dark star. Jindrich Polák's pioneering and much-imitated feature is one of the cornerstones of contemporary sci-fi cinema. Adapted from Stanislaw Lem's 1955 novel The Magellanic Cloud, and predating Gene Rodenberry's Star Trek and Kubrick's 2001. Ikarie XB-1's influence can be seen on both and on almost every other science-fiction film that has followed.& find out more...
Thomas Beale says: "It’s Justine’s (Kirsten Dunst) wedding day. Everything should be perfect, but in her own temperamental nature, Justine makes things difficult. She is forced to trudge through tiresome rituals for the benefit of family and friends, including her sister Claire (Charlotte Gainsbourg) with the looming and inevitable apocalypse intensifying relations. Though not quite as daring as Von Trier’s previous films, Melancholi find out more...
A 'Leatherface' type murderer who wears other people's faces, kills at an all-night horror-thon at an old theatre put on by a bunch of film students. Maggie, the lead character, believes it's really Lanyard Gates, a crazed film maker who killed his family live on stage fifteen years ago. And now he's back to kill his daughter, Sara, who is believed to really be Maggie.
Superlative horror that blends great diy special effects, cinephilia and frights with aplomb. AN find out more...
