Gloria is a 'hot mess' who just can't get her s**t together. Kicked out by her boyfriend and without a dime to get by, she heads back to the small town she came from. Landing on one bad idea after another - she's an alcoholic and she gets a job in a bar - Gloria soon discovers that she is causing pain and destruction to lots of others, not just herself. A literal monster manifests and the result is somewhere between comedy and action. Unfortunately, watching it makes find out more...
Transfer (1966), Cronenberg's first film, is a surreal sketch of a doctor and his patient. From the Drain (1967) finds two men in a bathtub, which may be part of a centre for veterans of a future war. Stereo (1969), Cronenberg's first official feature film, stunningly shot in monochrome, concerns telepaths at the Institute for Erotic Enquiry where patients undergo tests by Dr. Luther Stringfellow. In Crimes of the Future (1970) Cronenberg worked in colour and with a find out more...
Taking its cue from Chronicle (2012), Project Almanac is part of the "found footage" sci-fi phenomenon sweeping contemporary teen cinema. A group of friends discover time travel and use it to have a lot of fun; rewriting their entry into the high school popularity charts, partying without wasting time, acing tests and getting even with bullies. But, as science would have it, every action has its equal and opposite reaction. Soon the 'jumps' become a desperate attempt to rewrite the rewrite. G find out more...
Qohen Leth is an eccentric and reclusive computer genius plagued with existential angst. Living in isolation in a burnt-out church, Qohen is obsessively working on a mysterious project personally delegated to him by Management aimed at discovering the meaning of life, or the lack thereof, once and for all. Increasingly disturbed by unwanted visits from people he doesn't understand, He nonethless, because of them, begins to develop a point for the reason of his own being. It's Terry Gilliam fo find out more...