A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the second version re-edited by Ridley Scott; all the good bits remain, with the onl find out more...

A stunning visual account of man's struggle for survival in the 21st Century, a time when replicant life forms are beginning to surpass humans not just in intelligence but emotions, raising questions about our concepts of self. A post-modern sci-fi classic, THE great Hollywood movie of the '80s, the last great pre-computer film done with smoke-and-mirrors SFX and the definitive cult arthouse Sci-Fi film. This is the originally released version with no unicorns in a dream, a voiceover to keep y find out more...

Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...

A screwed-up runaway teenage girl accepts a lift from a Mr Nice Guy, but soon realises he's a notorious serial killer. Having left him for dead she is soon arrested and facing a lifetime in prison, escapes, only to meet the killer again. A high quality, brutally comic, thriller with attitude. Very dark and very good.

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Tarantino's masterpiece, a sprawling montage of three interwoven tales. Rich dialogue and sassy humour. find out more...

Two best friends leave their Arkansas town for a weekend break, but become fugitives before crossing the state line. As the police get closer the friends grow farther away from the women they were when they first left town. Their hair comes down as they take to the fugitive life but they grow ever out of control of their own situation. Wrongly hailed as an anti-man flick upon its original release, this feminist classic has become a landmark in the history of film. Davis and Sarandon were duall find out more...