Undoubtedly one of Hitch's best. An innocent businessman is mistaken for a spy by enemy agents and learns the true meaning of persecution, while a deceptively beautiful blonde in the pay of his tormentors steals his heart. A tense and compulsively gripping nice-guy's nightmare. Obligatory viewing.
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REAR WINDOW (1954)
CertificationPG Our Rating
Hitchcock's masterpiece. A news photographer is confined to his apartment by an injury and spends his days watching the neighbours. He comes to believe that he is witnessing the preparations for a murder. Based on the novel by Cornell Woolrich. Suspense, ambiguity and voyuerism; total brilliance!
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REBECCA (1940)
CertificationPG Our Rating
A psycho-chiller/thriller from the master of the genre as the naive young wife of a rich Cornish land owner is haunted by the image of his first glamorous wife, Rebecca. The usual mix of pyschology and fine film making, and widely considered to be one of Hitchcock's best works. Best Picture at the 1940 Academy Awards.
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THE NIGHT OF THE HUNTER (1955)
Certification12 Our Rating
Laughton's only stab at directing, with Mitchum giving a stunning performance as the psychopathic preacher who, whilst in jail for a minor offence, hatches a devious plan to get his hands on the loot stashed by his condemned cell-mate. Set in '30s rural America, the film polarises into a struggle between good and evil for the souls of innocent children. Laughton's deliberately old-fashioned direction throws up a startling array of images: an amalgam of Mark Twain-like exteriors (idyllic riversid
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