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No Image for RASHOMON
RASHOMON (1950)

Certification12 Our Rating

Set in medieval Kyoto, this is an engrossing tale of rape and murder in which contradictory accounts of events are later related from the perspectives of four of those involved. A film which awakened the West to the richness of Japanese cinema. find out more...
No Image for REAR WINDOW
REAR WINDOW (1954)

CertificationPG Our Rating

Hitchcock's masterpiece. A news photographer is confined to his apartment by an injury and spends his days watching the neighbours. He comes to believe that he is witnessing the preparations for a murder. Based on the novel by Cornell Woolrich. Suspense, ambiguity and voyuerism; total brilliance! find out more...
No Image for RIFIFI
RIFIFI (1955)

Certification12 Our Rating

Four men set in motion a heist of incredible audacity, a robbery where the level of risk is only matched by the protagonists' meticulous precision, but though the thieves are consummate professionals once the job is done their emotions and animosities begin to threaten the rewards of their hard work. Rififi is renowned for its tense half hour long heist scene in which not a word is ever uttered, and acknowledged as one of the classic examples of French film noir. find out more...
No Image for STRANGERS ON A TRAIN
STRANGERS ON A TRAIN (1951)

CertificationPG Our Rating

A young tennis star meets a looney on a train who proposes that they swap murders. The looney, to the star's dismay, starts to carry out his side of the bargain. A film that shows Hitchcock's technique at its suspenseful best. find out more...
No Image for THE BIG SLEEP
THE BIG SLEEP (1946)

CertificationPG Our Rating

The original and best version of the detective thriller classic. Philip Marlowe is hired to investigate the gambling debts of a rich man's daughter, but is plunged into a twilight world of intrigue, blackmail and violence. Stylish and gripping. find out more...
No Image for THE CABINET OF DR CALIGARI
THE CABINET OF DR CALIGARI (1919)

CertificationU Our Rating

One of the first horror movies, about a hypnotist who uses a somnambulist to do his murders, and a landmark in the history of cinema. The dark shadows, crazy angles and doom laden atmosphere of German Expressionism and the film's extraordinary use of painted light have rarely been copied, and its influence, on film noir in particular, is indisputable. find out more...
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THE CONVERSATION (1974)

Certification15 Our Rating

Tense mystery thriller with Gene Hackman as an ace surveillance expert who begins to question the morality of his own work. Listening in on a young couple during an apparently routine job, he realises he's involved in something far more sinister than he thought. Gripping and thought provoking. find out more...
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THE GODFATHER (1971)

Certification18 Our Rating

A gangster movie that spawned a million with Coppola on top directorial form and Brando and Pacino at their very best. Brilliantly believable and detailed stories unfold complete in every scene as the movie waltzes to its violent moral climax of living and dying by the sword. find out more...
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THE MALTESE FALCON (1941)

CertificationPG Our Rating

Treachery and deception in this classic film noir as various groups of low life characters try to lay their mits on the ancient treasure. Sam Spade is the honest fall guy. One of the best Hollywood films ever and certainly one of the best of its type. Initiated the move away from gangster movies. find out more...
No Image for THE MAN WHO SHOT LIBERTY VALANCE
THE MAN WHO SHOT LIBERTY VALANCE (1962)

CertificationU Our Rating

One of the finest of the genre, this classic western follows two men whose initial contempt for each other's methods, one a hard man rancher, the other a naively honest lawyer, develops into respect when faced with the the town's local hoodlum. Tense, absorbing and not without wit. Superb. find out more...