Polanski has a go at the film noir detective thriller, very bleak, very twisted and very menacing it is to. Nicholson plays a private-eye in pre-war LA who is hired to pursue an adultery case, but finds himself embroiled in a complicated murder investigation. find out more...

The original and best version of the detective thriller classic. Philip Marlowe is hired to investigate the gambling debts of a rich man's daughter, but is plunged into a twilight world of intrigue, blackmail and violence. Stylish and gripping. find out more...

This is, along with Hawks' The Big Sleep, easily the most intelligent of all screen adaptations of Chandler's work. Altman in fact stays pretty close to the novel's basic narrative (though there are a couple of crucial changes), but where he comes up with something totally original is in his ironic updating of the story and characters: Gould's Marlowe is a laid-back, shambling slob who, despite his incessant claim that everything is 'OK with me,' actually harbours the same honourable ideals as C find out more...

Treachery and deception in this classic film noir as various groups of low life characters try to lay their mits on the ancient treasure. Sam Spade is the honest fall guy. One of the best Hollywood films ever and certainly one of the best of its type. Initiated the move away from gangster movies. find out more...

Film Noir from the Ealing funny man! Mackendrick's US debut is a rat-trap of a movie in which a vile NY gossip hustler (Tony Curtis) grovels for his 'Mr Big' (Burt Lancaster). Lancaster plays JJ Hunsecker, a monstrous, amoral and incestuous news columnist obsessed with wrecking his kid sister's romance. The dark streets stink of corruption and fear. Amoral and awesome with a great jazz soundtrack. find out more...