The greatest movie ever made? A soldier is sent into the Heart of Darkness to retrieve a commander gone AWOL in an insane reality of tin-pot power, paranoia and inglorious killing. The horror of war is stripped naked in a surreal twilight world. The crew nearly went mad making it, Martin Sheen suffered a heart attack and Coppola flew so far beyond budget that the word 'bankrupt' was nearly redefined. See "Heart of Darkness"... find out more...

The definitive 'Apocalypse Now' (as if the original wasn't pretty definitive) this has nearly an hour of extra footage fleshing out the surreal journey of our central protagonists and, though it brings the film to a whisker short of three and a half hours, much of it explains what happens to the eclectic characters we meet. The cut version of 'Apocalypse Now' stands as one of the most awesome films of modern cinema, anyone who has seen it will inevitably see it again, it's just that now you have find out more...

A father is haunted by the death of his young child. Omens point to disaster and hallucinations predict the future as this wonderful atmospheric film moves to its disturbing climax. Shot in the beautiful city of Venice and based on the book by Daphne du Maurier.

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Phyllis Dietrichson is trapped in a loveless marriage to a man who inspires in her nothing but contempt, but rather than leave him Phyllis decides to kill him and collect on the insurance policy she's had set up with the help of her lover, and naive partner in crime, insurance salesman Walter Neff. The only flaws in their plan are the company's reluctance to pay out so much, the diligence of Neff's increasingly suspicious colleague, (and his 'little man'), and the exemplary ruthlessness of Ph find out more...

The classic version of Frankenstein, often imitated but its stunning style has rarely been bettered. For the unfamiliar, Frankenstein tells the story of a maverick doctor's attempts to create life from the body parts of the deceased. His creation (Frankenstein's Monster...) is the tragic embodiment of goodness. More human than those around him, the monster finds himself needing friendship more and more, before embarking on a doomed relationship with a small girl who takes pity on him. Needless t find out more...

Ran, Kurosawa's last great epic, is a Jidaigeki (Japanese period drama) depicting the fall of Hidetora Ichimonj, an ageing Sengoku-era warlord who abdicates as ruler in favor of his three sons. His kingdom slowly disintegrates as the sons struggle for power, murdering rivals and laying waste to the land, and Hidetora goes insane after watching his retainers slaughtered in an epic massacre, the centrepiece of the film. As the kingdom crumbles and rival warlords move in for the kill, the Ichimonji find out more...

The original and best version of the detective thriller classic. Philip Marlowe is hired to investigate the gambling debts of a rich man's daughter, but is plunged into a twilight world of intrigue, blackmail and violence. Stylish and gripping. find out more...

Made almost contemporaneously with the 1930s setting, this authentically portrays the poverty and repression of the migrant 'Okies', evicted from their dustbowl farms and treated like slaves in California. Adapted from Steinbeck's book, often called 'THE Great American Novel' and with outstanding performances coming from Henry Fonda (Tom Joad) and John Carradine (John Casey) a preacher with a fondess for vice, but a true heart... fantastic. find out more...

Iron Giant is based upon a story that Ted Hughes told his children following the death of their mother, Sylvia Plath. Set in 1958, it is a lyrical tale about a giant metal machine that falls from the sky and frightens a small town in Maine. A lonely boy, Hogarth, befriends the kind-hearted alien and, hiding the giant from his mother, teaches him to communicate. The greatest threat, however, comes from the military who are out to destroy this metallic threat to wholesome America. The animation find out more...

This is, along with Hawks' The Big Sleep, easily the most intelligent of all screen adaptations of Chandler's work. Altman in fact stays pretty close to the novel's basic narrative (though there are a couple of crucial changes), but where he comes up with something totally original is in his ironic updating of the story and characters: Gould's Marlowe is a laid-back, shambling slob who, despite his incessant claim that everything is 'OK with me,' actually harbours the same honourable ideals as C find out more...