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CAPOTE (2005)

Certification15 Our Rating

In 1959, Truman Capote, a popular writer for The New Yorker, learns about the horrific and senseless murder of a family of four in Halcomb, Kansas. Inspired by the story, Capote and his best friend, Harper Lee, travel to the town to research for an article. However, as Capote digs deeper into the gruesome tale, he is inspired to expand the project into what would be his greatest work, 'In Cold Blood'. Against Harper's advice Truman's visits with those responsible for the killings become increasi find out more...

CertificationPG Our Rating

A truly epic epic and winner of 7 Academy Awards. Lawrence serves British colonial interests during the First World War by uniting the Arabs against the fast collapsing Ottoman Empire. Stupendous cinemascope drama with a cast of thousands and some of cinema's most famous shots; Sheik Ali's emergence from the desert haze and the storming of Aquaba for example. This is the director's cut, a more coherent version than the original cinema release. find out more...
NETWORK (1976)

Certification15 Our Rating

A veteran newsman flips when fired after 25 years and in his penultimate broadcast reports his imminent on screen suicide. The ratings shoot up so highly that his now kookie ravings justify his retention. Full of deliciously observed scenes as a behind the scenes struggle for media power commences. find out more...

CertificationPG Our Rating

A man deformed by a rare illness is taken up and patronised by fashionable London society - another freak show for the elephant man to be exhibited in. David Lynch's highly individual style here perfectly complements the film's material. A dark and brooding, yet sympathetic and sentimental film. find out more...

Certification15 Our Rating

Much vaunted tale of mens' greed; sacrificing family, friends and principles to gain profit in the early years of the 20th Century. Danny Day Lewis is superb, as always, as the sinister Daniel Plainview. find out more...

Certification15 Our Rating

Burton and Taylor in a screen version of the kind of love-hate relationship which they were famous for in private, a kind of on-screen therapy. Taylor gives what is probably her finest performance as the blowsy harridan Martha, while Burton is not quite so hammy as usual as her angst-ridden college professor husband. The verbal fireworks that occur when they invite a young couple to dinner are surprisingly convincing. A must see classic. find out more...