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8 1/2 (1963)

Certification15 Our Rating

The story of a director, devoid of inspiration and on the verge of a nervous breakdown, trying to satisfy the anticipation surrounding his next project. Surreal, serio-comic mildly autobiographical and widely acclaimed as one of the great films about movie-making. Fellini's masterpiece. find out more...

CertificationE Our Rating

The collection opens with Len Lye's modernist abstraction ‘Tusalava’, which, heavily influenced by Maori and Aboriginal art, shares an interest in ‘primitive’ cultures that was typical of the Modernist movement of the time. It was almost refused a certificate by the puzzled British Board of Censors who suspected that the dancing abstract shapes might be about sex. Lye's own explanation was that it showed the beginnings of organic life. ‘Crossing the Great Sagrada’, is a lowbrow spoof on travel find out more...
DAISIES (1966)

Certification15 Our Rating

The wonderful people over at Second Run DVD have released another hidden gem: 'Daisies' (Sedmikrasky), originally made in 1966 by Vera Chytilova, who has since been called 'the first lady of Czech cinema' and whose efforts also earnt her a screening at the First International Festival of Women's Films in New York in 1972. find out more...
KOSMOS (2011)

Certification12 Our Rating


CertificationPG Our Rating

Resnais's controversial attempt at collaboration with avant garde author Alain Robbe-Grillet. The film sets up a puzzle that is never resolved, a man meets a woman in a rambling hotel and believes he may have had an affair with her the previous year at Marienbad - or did he? Or was it somewhere else? Deliberately scrambling chronology to the point where past, present and future become meaningless, Resnais creates a vaguely unsettling mood by means of stylish composition, long, smooth tracking sh find out more...
ORPHEE (1949)

Certification15 Our Rating

Cocteau re-works the Greek myth in contempory terms as Death, a beautiful woman, helps the poet Orpheus rescue his lover from hell. Imaginative, memorable, baffling and beautiful. One of the most poetic movies in the history of cinema. find out more...
PERSONA (1966)

Certification15 Our Rating

Elizabeth is a highly renowned actress who has lost her ability to speak, Alma is the nurse responsible for helping her through her psychological, rather than physica,l ailment. As the relationship between the two women develops Alma seamlessly becomes Elizabeth's voice, the start of a metamorphosis that sees the very essence of who they both are beginning to blend. Bergman's remarkable voyage of the psyche is deemed one of his very best, visually stunning and hypnotically intense. find out more...

Certification18 Our Rating

In first century Rome, two student friends, Encolpio and Ascilto, argue about ownership of the boy Gitone, divide their belongings and split up. The boy, allowed to choose who he goes with, chooses Ascilto. Only a sudden earthquake saves Encolpio from suicide. We follow Encolpio through a series of adventures, where he is eventually reunited with Ascilto, and which culminates in them helping a man kidnap a hermaphrodite demi-god from a temple. The god dies, and as punishment Encolpio becomes imp find out more...

CertificationPG Our Rating

Psychiatrist Bergman falls in love with the new head of the asylum, and discovers that he is in fact an impostor suffering from severe guilt trauma. The drama develops as she digs deeper into his labyrinthian mind. Artist Salvador Dali adds surrealist sequences to this maze-like thriller. find out more...

CertificationU Our Rating

Using the framing story of a man who discovers how to craft and sell dreams to a series of anxious clients, Richter allotted each dream (seven in all) to various Surrealists/Dadaists; Max Ernst, Man Ray, Marcel Duchamp and Alexander Calder amongst others. For four decades one of the most influential members of the cinematic avant-garde Hans Richter's ‘Dreams That Money Can Buy', shot for just $25,000, went on to win the Venice Film Festival Award for the best original contribution to the progres find out more...