Cross-dressing club-kid Eddie vies with a rival drag-queen for the favours of drug-dealing cabaret-manager Gonda in this unflinching and often brutal portrayal of Japanese gay subculture. Matsumoto achieves a line between pathos and hilarity that makes Funeral Parade of Roses utterly unique; a feverish collision of avant-garde aesthetics and grind-house shocks (not to mention a direct influence on Stanley Kubrick's A Clockwork Orange). In addition this psychedelic era film is a gay play on the Oedipus myth.