A new priest arrives in the French country village of Ambricourt to attend to his first parish, but the apathetic and hostile rural congregation reject him immediately. Through his diary entries, the physically sick young man relays a crisis of faith that threatens not only to drive him away from the village, but also from God. With this, his fourth film, Bresson began to implement a stylistic philosophy in his film making, stripping away all inessential elements from his compositions, the dialogue and the music, exacting a purity of image and sound.