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Certification15 Our Rating

Less accesible Bunuel, but still interesting and witty. We follow two vagrants on their pilgrimage to Spain. Along the way they meet various biblical characters, slip through a time-warp amongst other bizarre digressions. Sometimes the symbolism is a little obvious, but the humour saves it. find out more...

CertificationPG Our Rating

In the final days of WWII, during the chaotic Soviet occupation, a seventeen-year-old Hungarian boy, Jancsó's alter ego, wanders his own countryside. He is captured by occupying Soviet troops, released and then, after donning a German uniform for warmth, captured once more. Sent to assist a wounded young Russian soldier guarding a diary herd the two strike up a firm friendship and this is the detailed episode at the crux of his travels. Throughout the movie displaced people drift; bandits, escap find out more...

Certification12 Our Rating

"The year is 1936. Orphaned Addie Loggins (Tatum O'Neal, in her film debut) is left in the care of unethical travelling Bible salesman Moses Pray (Ryan O'Neal, Tatum's dad), who may or may not be her father. En route to Addie's relatives, Moses learns that the 9-year-old is quite a handful: she smokes, cusses, and is almost as devious and manipulative as he is. They join forces as swindlers..." - Hal Erickson, Rovi.

Peter Bogdanovich's masterpiece, and shamefully overlooked by many! find out more...


Certification15 Our Rating

A couple on the run, him leaving his wife, child and work, her fleeing a couple of Algerian hitmen, drive from Paris to the Med, hang out together a lot and discover they don't really have that much in common. A kind of a thriller and a kind of a love story, inevitably it is the quirks of character that Godard exposes that make it fascinating. This is one of Godard's more down to earth films though, to quote; "Godard confronts his doubts about the possibilities of cinema in this startling dissec find out more...

CertificationPG Our Rating

This masterpiece by Preston Sturges is perhaps the finest movie-about-a-movie ever made. Hollywood director John Sullivan, tired of churning out lightweight comedies, decides to make "O, Brother, Where Art Thou?" - a serious, socially responsible film about human suffering. After his producers point out that he knows nothing of hardship, Joel hits the road as a hobo. While on his travels the director finds the lovely Veronica Lake, and more trouble than he ever imagined. Some truly inspired set find out more...

CertificationU Our Rating

The nearest you'll ever get to a psychedelic experience without having to crawl around fields picking poison fungi or buying dodgy stuff at festivals. Still a brilliant cartoon after all these years, a trip through the design styles of the 60s - the soundtrack's not bad either! find out more...

CertificationPG Our Rating

Made almost contemporaneously with the 1930s setting, this authentically portrays the poverty and repression of the migrant 'Okies', evicted from their dustbowl farms and treated like slaves in California. Adapted from Steinbeck's book, often called 'THE Great American Novel' and with outstanding performances coming from Henry Fonda (Tom Joad) and John Carradine (John Casey) a preacher with a fondess for vice, but a true heart... fantastic. find out more...

CertificationPG Our Rating

A weird and mesmerising classic. Lancaster is the rich Connecticut suburbanite who "swims" home one day through the pools of his wealthy neighbours. Along the way he's forced to face some unpleasant truths from his past and present. Great performances, stylish camerawork and splendidly surreal.

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Certification15 Our Rating

In this controversial and acclaimed story of drag-racing drifters, the drivers of a Pontiac GTO and a '55 Chevy fight an obsessive battle across the back roads of America for possession of each other's 'pinks' and the affections of a mysterious young hitchhiker. Dominating this hypnotic existential journey is Warren Oates as the obsessive ‘GTO', with James Taylor and Dennis Wilson (in their first and only acting roles) his rivals for both car and woman. "Two-Lane Blacktop" is an existentialist 6 find out more...

Certification18 Our Rating

Pissed off rebel Kowalski accepts a challenge to drive from Denver to San Francisco in 15 hours. Fired up by a tankful of gas in his 1970 Dodge Challenger R/T with its 4-speed manual transmission, Hurst "pistol grip" shifter and controlling a 4 barrel/440 cubic inch "Magnum" V-8 engine, he begins his solitary odyssey, spurred on by a blind black DJ, Super Soul, to become 'the last American hero'. Kowalski gathers a following amongst counterculture denizens, bikers and hippies flock to KOW radio find out more...