Your Chosen Genres [ Classics ] [ Silent ] Can be Combined with Other Genres. Click here to Combine Genres!
This list is sorted:
Alphabetically
By Rating
By Year Made
And is in:
Ascending Order
Descending Order
OCTOBER (1927)

CertificationPG Our Rating

The Soviet Revolution in all its glory as the events of Red October unfold on an epic scale. The storming of the Winter Palace in Leningrad is one of the great set pieces of cinema history. Eisenstien practicaly invented the art of editing and this is the movie in which he did it! Brilliant. find out more...

CertificationPG Our Rating

A stunning portrayal of innocent and erotic obsession based on Wede-kind's 'Lulu' plays. Lulu's guilelessly provocative sexuality leads her from a gaggle of Berlin lovers and admirers, a lesbian countess, a newspaper editor, the latter's son, etc, to a squalid garret in London, where she finds her Thanatos in the shape of Jack the Ripper. Louise Brooks's legendary performance and Pabst's brilliantly acute direction both remain enthralling. Haunting and unforgettable, a superbly atmospheric film. find out more...

CertificationU Our Rating

A huge influence on the New Wave and Italian Neorealist movements, ‘People on a Sunday' offers us a rare glimpse at what life was like for ordinary Berliners between the First and Second World Wars. The film tells the story of four young people enjoying a lazy Sunday by a lake in Berlin. Emotions such as love, flirtation, desire and jealousy are all played out in a milieu of youthful discovery.

find out more...

CertificationPG Our Rating

Shosho is a maid in a swanky night-spot when she's spotted dancing by the club's rakish proprietor, Valentine Wilbur. Soon Shosho has usurped Mabel as the star dancer and object of Valentine's affections, setting the scene for a dramatic denouement. A tenderly restored work, with a new musical score by Neil Brand, and a truly hypnotic early screen goddess in the form of Anna May Wong. find out more...

CertificationU Our Rating

The Red Balloon: The haunting relationship between a little boy and a red balloon with a mind of its own that he befriends on the Parisian streets. Widely recognised as one of the most important films in children's cinema, this 1956 classic is the only dialogue-free film to win an Oscar for Best Screenplay!

In The White Mane, A boy comes across a white-haired wild horse in the Camargue. Ranchers seek to capture the horse, but it escapes. What will happen as the boy sets out to fi find out more...


Certification12 Our Rating

It's the off-season at the lonely Beauregard Hotel in Bournemoth, and only the long-term tenants are still in residence. Life is stirred up, however, when the beautiful Ann Shankland arrives to see her alcoholic ex-husband, John Malcolm, who is secretly engaged to Pat Cooper, the woman who runs the hotel. Meanwhile, snobbish Mrs Railton-Bell discovers that the kindly if rather doddering Major Pollock, played by David Niven, who won an Oscar for his performance, a retired officer who likes to find out more...


CertificationU Our Rating

At the turn of the 20th century, the film industry sought to elevate its lowbrow status by imitating the theatre. While cinemas decked themselves out like theatres, filmmakers signed up stage stars and turned to the classics. Shakespeare provided the greatest challenge, especially since many of the films made before the First World War were only one or two reels long. Plays included on this compilation are The Tempest (1908), King Lear (1910), A Midsummer Night's Dream (1909), Twelfth Night (191 find out more...

CertificationE Our Rating

Photographed by Frank Hurley and restored by the National Film and Television Archive, "South" records Sir Ernest Shackleton's heroic but doomed 1914 attempt to cross Antarctica. This unique piece of history is also a visually stunning story of strength and survival.

find out more...
SPIONE (1928)

CertificationPG Our Rating

In its very idiosyncratic way, Spione beats Lang's three Mabuse pictures as his definitive vision of a criminal mastermind, the reason probably being that this film entirely lacks the socio-political overtones of the Mabuse trilogy. The exploits of the evil genius, Haghi, represent criminality almost in the abstract, and plunge the movie into a delirium of disguises, deaths, double-motives, and labyrinthine tricks. The tone is somewhere between true pulp fiction and pure expressionism, and the r find out more...

CertificationU Our Rating

Buster returns home to his estranged father, a tough, no-nonsense steamboat captain, and while the two are as different as chalk and cheese the father and son are drawn together when a no-good rival attempts to take over Bill Sr's Mississippi business. One of Buster Keaton's best, the list of breath taking stunts include the classic collapsing house, where our hero is saved only by the open top floor window. Genius. find out more...